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malgastarto waste

Malgastar means 'to waste' or 'to squander'. It's a strong verb that conveys a sense of regret and futility, making it more impactful than a simpler word for 'waste'.

In the song, the singer asks, "¿De qué me sirve malgastar mi voz?" (What good is it for me to waste my voice?). This highlights his frustration and the realization that his efforts to call out to his lost love are in vain, adding a layer of emotional depth to the lyrics.

"Idiota" is Morat and Danna Paola singing about the 3 a.m. moments when memory outlasts a breakup. The narrator can't shake the ex who "knocks" on their thoughts every night, torn between shutting the door on the memory and secretly letting it back in.

The chorus admits the contradiction at the center of the song. He swears he'll never forget her, knows chasing a love that's already over makes no sense, and calls himself an idiot for still looking anyway.

The bridge turns the blame inward and outward at once. Everyone tells him patience will win her back, but he sees the real cost of that waiting game, stuck pretending until the closing "como un idiota" refrain fades the song out on the same confession it started with.

Morat is a Colombian folk-pop band originating from Bogotá, known for blending Latin pop and folk rock influences into heartfelt songs. Formed in 2015 by childhood friends Juan Pablo Isaza, Juan Pablo Villamil, and brothers Simón and Martín Vargas, Morat has captivated audiences with their warm vocals and sincere lyrics.

Their breakthrough came with hits like Cómo te atreves and successful collaborations with artists such as Paulina Rubio and Sebastián Yatra. Signing with Universal Music Group, Morat has released several acclaimed albums, including Sobre el amor y sus efectos secundarios and Si ayer fuera hoy, showcasing their distinctive sound that honors Colombian musical roots while reaching a global audience. With millions of fans worldwide, their music continues to inspire and connect through emotional storytelling and infectious melodies.

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