RAMEN PARA DOS serves up a spicy, two-sided story about a “non-relationship” that hurts just like a real breakup. In her verses, María Becerra is stuck on rewind: she keeps ordering ramen for two, re-playing old voice notes, and camping outside an unanswered phone. With equal parts humor and heartbreak, she paints obsession as something almost cartoonish – walls that “talk,” therapists who shake their heads, and pop-culture shout-outs to Pucca, Garu, Helga, and Arnold.
Then Paulo Londra slides in with the other point of view. For him the intensity was too much, too fast, so he bailed to avoid deeper scars. He calls it “obsession, not love,” admits he is also in therapy, and begs for space because talking only makes things worse. Together, the voices clash and overlap, showing how two people can remember the same almost-romance in totally different ways. The result is a catchy urban-pop track that tastes bittersweet – like a lonely bowl of ramen that was meant to be shared.
María de los Ángeles Becerra, born on February 12, 2000, in Quilmes, Buenos Aires, Argentina, is a powerhouse in the Latin urban pop scene. Starting her career as a popular YouTuber, María quickly transitioned into music with her 2019 EP 222, capturing attention with her unique voice and style.
Dubbed "a leading voice in Argentina's urban pop movement," María Becerra has released two acclaimed albums, Animal and La Nena de Argentina, blending genres like reggaeton, trap, and Latin pop. With multiple chart-topping singles such as "Además de Mí," "Miénteme," and collaborations with artists like J Balvin and Tini, she has firmly established herself as a global Latin music sensation. In 2024, she made history as the first Argentine female artist to perform at the iconic River Plate Stadium, solidifying her status as a trailblazer in Latin music.