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« Les Filles, Les Meufs » is Margueriteâs sparkling coming-out confetti cannon. Over a funky, party-ready groove, the French singer lovingly teases the men around herâbrothers, dad, a muscle-showing buddyâpainting them as loud, mirror-posing, money-chasing yet tear-averse. Their swagger feels both funny and fragile, and Margueriteâs playful observations reveal how exhausting the old rules of masculinity can be for everyone involved.
When the chorus hits, she drops the punchline (and a sigh of relief): she simply feels better when there are girls at the party. Celebrating sisterhood, queer attraction, and emotional safety, Marguerite declares that life got brighter the moment she admitted she likes girls too. The song is part roast, part love song, and all empowermentâa glittery invitation to choose the company and identity that let you breathe easy and dance harder.