LEARN LYRICS

SONG MEANING

Ex-Special throws you into a neon-lit night of amor prohibido, where Jhayco and Peso Pluma flirt with danger, desire, and a luxury tab they never bother to close. Over a slick reggaetón groove, the narrator dials up his “morrita” — the ex who still owns VIP access to his heart — promising crystal bottles, a secret hotel suite, and the thrill of repeating that “primera vez.” The song name-checks Intercontinental rooms, Ciroc, mezcal, and Instagram’s vanish mode, painting a picture of two lovers who can’t resist sneaking away from their current lives for one more forbidden rendezvous.

Beneath the glossy flexing lies a messy tug-of-war between ego and vulnerability. He admits life “sin ti” keeps messing with him, yet she’s no longer the “oficial” girl; they are stuck in a gray zone of DMs, Close Friends stories, and memories he can’t delete. Peso Pluma’s raspy swagger adds Mexican spice to Jhayco’s Puerto Rican flow, turning the track into a bilingual confession that love can be toxic, addictive, and irresistibly fun all at once. Listening feels like hopping into a fast car at 2 a.m. — you know it might end badly, but you still want to enjoy the ride.

ARTIST BIO

Jhayco, born Jesús Manuel Nieves Cortés on April 9, 1993, in Río Piedras, Puerto Rico, is a celebrated Puerto Rican singer, rapper, songwriter, and record producer shaping the Latin urban music scene. Initially known as Jhay Cortez, he gained fame for his unique blend of reggaeton, Latin trap, hip hop, and Latin R&B, influenced by icons like Don Omar and Drake.

After honing his songwriting skills from a young age and contributing to tracks for artists such as Natti Natasha and Yandel, Jhayco launched his solo career with his debut album Famouz in 2019. He has since become known for hit songs like "No Me Conoce" and the global chart-topper "Dakiti" with Bad Bunny. Signed under Universal Music Latino, Jhayco continues to push boundaries in Latin music with his innovative sound and collaborations with top artists across the genre.

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