LISTEN
PRACTICE
CHALLENGE
Start learning to track your progress! 0 / 70%
70%

arañazos — scratches / claw marks

Arañazos literally translates to 'scratches' or 'claw marks'. It is a striking and highly visual word that stands out because it is rarely used in typical pop songs.

In these lyrics, Jeanette uses it metaphorically when she sings about "arañazos en el corazón" (scratches on the heart). This creates a vivid, passionate image of emotional pain that perfectly matches her comparing herself to a wounded panther (pantera herida) earlier in the song.

Jeanette’s “Ojos En El Sol” paints a cinematic scene of longing and resilience. Picture the singer as a pantera herida (wounded panther) who keeps walking, eyes fixed on the blazing sun as if it were a beacon guiding her to a lost love. Every element of nature joins her vigil: the sea sends out voices that call his name, the sky sheds tears that mirror her own, and the daylight itself becomes a stage for her unwavering hope. Even while loneliness claws at her heart, she refuses to surrender—her journey is fueled by equal parts pain and determination.

The song’s core message is clear: true love can ignite a stubborn, almost mystical faith. Jeanette promises to search “día a día, sol a sol,” believing that devotion can bend the impossible and invite reunion. “Ojos En El Sol” is therefore more than a lament; it is an anthem for anyone who chooses hope over despair, letting heartbreak transform into a powerful drive to keep moving forward until the one they love finally returns.

Jeanette is an English-born Spanish singer whose tender voice helped define Spanish pop ballads of the 70s and 80s. She first broke through as the teenage lead of folk-pop group Pic-Nic with “Cállate, niña”, then relaunched solo with the wistful hit “Soy rebelde”.

Her signature song "Porque te vas" reached international fame after featuring in Carlos Saura’s film Cría cuervos in 1976, turning her into a household name across Europe and Latin America. She followed with the album Corazón de poeta in 1981, which yielded favorites like “Frente a frente” and “El muchacho de los ojos tristes.” Today she enjoys cult status and is cited as an influence on Spanish-language indie pop, with renewed attention from the documentary Soy rebelde.

Next Song For You