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Picture a glowing Parisian night where glitter, silk and leather mix freely. In this electrifying scene, the narrator watches boys in flowing dresses and girls in sharp suits, all swapping lipstick, long blond hair and bravado like pieces of costume jewelry. Every time they sing âOn se prend la mainâ (We hold hands), the crowd links fingers across the old gender divide, proving that attraction and solidarity are stronger than labels.
â3SEXâ is a joyful anthem to gender fluidity and self-expression. Indochine and Christine and the Queens celebrate people who refuse to fit into the rigid boxes of garçon or fille. The song applauds their beauty, mocks the moralists who call them âoutragĂ©,â and warns that witch-hunters may return, yet the hand-in-hand chorus insists that unity will outshine fear. At its heart, the track invites listeners to drop preconceived notions, dance with whoever they choose, and embrace a world where identity is not fixed but fabulously free.