Fantasmi translates directly to "ghosts". It's an intriguing word that immediately sets a mysterious and somewhat eerie tone, making it memorable and unique for a song title and lyrics.
In the context of the song, the word refers to people who are present but unseen or unheard, living parallel lives without truly interacting. The lyrics mention "I fantasmi non parlano sull'uscio, a spiare rimangono" (The ghosts don't speak at the door, they remain spying), suggesting a sense of hidden observation and unspoken truths, which adds a layer of depth to the song's narrative.
FANTASMI turns an ordinary apartment building into a spooky metaphor playground. The singer imagines a mysterious upstairs where people live blissfully unaware of those downstairs, creating two parallel worlds under one roof. She discovers this secret but keeps quiet, like a child who’s seen something forbidden. Repeating lines about ghosts who “stay on the doorstep spying” paint a picture of silent observers stuck between rooms, unable to join either side. It’s playful and a bit eerie, drawing you into a hide-and-seek atmosphere.
Listen closer and the song becomes a confession of feeling invisible. Waking up late, “having all the time,” and mentioning “open wrists,” the narrator reveals a battle with depression and self-harm. Instead of scaring us, the ghosts symbolize people who feel unheard, trapped watching life go by. The casual talk of Sunday mass shows how routine can lull everyone into ignoring the pain next door. GOMMA wraps heavy themes in catchy indie-rock lines, inviting you to dance while thinking about what it means to be seen—or to be a ghost—among your neighbors.