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"Contact" is a swagger-charged ride through Gimâs mental and physical journeys, where every verse feels like a postcard from a different dimension. One moment he is stepping off a private jet at Le Bourget, the next he is brushing off haters who are still waiting at Charles-de-Gaulle. Surrounded by âvâla les contacts,â Gim flaunts a network that stretches from the gritty 93 suburbs to pop-culture fantasy realms like Erebor. Name-drops of Jean-Claude Van Damme, Machiavelli, Lagertha, and even Vladimir Putin turn the song into a rapid-fire collage of movie references, historical nods, and playful threats, all delivered behind a pair of dark sunglasses.
Beneath the bravado lies a streak of weary self-reflection. Gim keeps âressasser mon enfance,â looping back to childhood memories and deciding that most people âne mĂ©ritent que lâindiffĂ©rence.â His teleporting metaphors and cave hideouts hint at an artist who feels both omnipresent and isolated, powerful yet skeptical of everything around him. âContactâ is ultimately a declaration of independence: money may be unlimited, the credit card may never decline, but the real flex is choosing who enters his orbitâand who gets left knocking at the door.