Bulldozer is an interesting word choice because it's an English loanword used directly in Italian, making it immediately recognizable to English speakers.
In the context of the song, the artist uses it metaphorically to express extreme aggression and dominance. He states, "Dovrei passarti sopra con un bulldozer" (I should run you over with a bulldozer), conveying a powerful image of completely crushing his rivals, rather than just ignoring them. This vivid and violent imagery makes the word stand out.
"GoodFellas" is Fabri Fibra's verdict on the Italian rap scene, told through the language of mafia films. The hook sets the whole idea up in one line: rappers are born goodfellas and die badfellas. They arrive with the crew, the loyalty and the promises, and they end up on the wrong side of it.
The name-dropping is doing real work here. Pablo, El Chapo, Capone, Corleone, Gucci, Versace, Fendi, million-euro contracts, a Tesla, a villa: money and status borrowed straight from the movies, stacked up until they start to sound hollow. Rose Villain's chorus repeats them like a chant, which is part of the joke.
Fibra's verses are about being the veteran. He has watched a generation grow up on his records, he gets private messages calling him a legend, and he notices that nobody repeats that in an interview. Rappers keep coming for the crown and keep testing his patience, so he answers the only way a diss track can.
The violence is a metaphor, and a deliberately over the top one. Bodies in the boot, a head in the fridge next to a Migos record, someone thrown off a balcony: this is the language of ending a career, not a life. The verse where a dead rapper's family says he was only ever a fan is the sharpest moment on the track, because it turns the boast into something sad.
Underneath the swagger, the song keeps circling one idea. The scene chews people up, the imagery it borrows from crime films is mostly costume, and the person still standing at the end is the one who has been doing this since his first demo.