Pantomima translates to "pantomime" or "charade." It refers to a performance without words, often implying something fake or an exaggerated show.
In the song, the artist uses pantomima to criticize the inauthenticity he sees in the music industry, specifically mentioning "Esa pantomima de que hay fiesta 24/7" (That charade of there being a party 24/7). It's a strong word that highlights the artist's disillusionment with the superficiality and pretense he observes, making it a memorable and impactful choice.
In "Trap-Eando," Santa RM takes a strong stance against what he sees as inauthentic artists in the trap music scene. He calls out those who brag about lavish lifestyles they don't actually live, saying they claim to have "30 bien" [30 good things] and are always "cenando en las champañas con almejas" [dining on champagne with clams]. He dismisses this as fake, even saying it "ni siquiera inicia semeja" [doesn't even begin to resemble] reality.
He believes many artists are just "siguiendo modas como una crisis ovejas" [following trends like a flock of sheep in a crisis] and criticizes them for lying to their audience. Santa RM contrasts these artists with true rappers he knows who "viven lo que cantan" [live what they sing]. He's here to offer his "cátedra de estilo" [style lecture], reminding everyone that "nada de esto es real" [none of this is real] – the cars are rented, the models are paid, and the 24/7 party is just a "pantomima" [pantomime]. He wants artists to stop lying and deliver real lyrical structure instead of just fabricating another hit.