OrtografĂa means "spelling", a word you'd expect in a classroom, not a love song! This is what makes its use here so clever and unique.
In the lyrics, the singer says, "Hoy te escribo sin pensar y sin ortografĂa" (Today I write to you without thinking and without spelling). He uses this academic word to show he is so overcome with raw, unfiltered emotion that he's throwing the rules out the window. It's a beautiful metaphor for a love that's too passionate for perfect grammar.
Colombian folk-pop band Morat brings us a sweet track about falling for a total stranger and wanting to do things the right way. Right away, the singer admits he was hit with "una mezcla de miedo con locura" ("a mix of fear and craziness") the moment he saw her. He doesn't know her past or her worldview ("no sĂ© nada de tu historia, ni de tu filosofĂa"), and he's so nervous and impulsive that he is writing to her without overthinking or even checking his spelling: "hoy te escribo sin pensar y sin ortografĂa".
Instead of pretending to be a smooth expert in romance, he treats loving someone like an earnest subject he needs to study. The core chorus promise is simple: "Para aprender a quererte, voy a estudiar cómo se cumplen tus sueños" ("To learn how to love you, I will study how your dreams come true") and "voy a leerte siempre muy lentamente" ("I will read you always very slowly"). He frames a healthy relationship in cute math terms too, promising "una vida con más sumas que restas" ("a life with more addition than subtraction"). It is an honest, upbeat pledge to listen closely, learn her world, and build something where neither person has to second-guess the answers.
The four of Morat met at school in Bogotá, Colombia, and were playing as Malta by late 2011, renamed before the first record. Juan Pablo Isaza sings and plays guitar, Juan Pablo Villamil plays the banjo that gives their pop its country tilt, and the Vargas brothers hold the bottom end, SimĂłn on bass and MartĂn on percussion.
They broke out in 2015, first on Paulina Rubio's "Mi nuevo vicio" and then with their own "Cómo te atreves". Sobre el amor y sus efectos secundarios (2016) led to Balas perdidas (2018), a number one in Spain and Mexico with "Besos en guerra" alongside Juanes plus "No se va", which Grupo Frontera's 2022 cover turned into their most-streamed song. ¿A dónde vamos? (2021) and Si ayer fuera hoy (2022) followed, then Ya es mañana (2025), their first Latin Grammy winner, for Best Pop/Rock Album. Its tour opened with six nights at Bogotá's Movistar Arena in August 2026, and a May 2026 duet with Silvestre Dangond, "Lo poco que yo quiero", previews a second volume.