Consolar means "to comfort" or "to console". It's a beautiful and empathetic verb that isn't as common as everyday verbs, making it stand out.
In the context of "Menina Bonita Não Chora", Jorge Ben Jor uses this word to express his intention to soothe and reassure the "pretty girl" who is crying. He sings, "Eu estou para aqui lhe consolar" (I am here to comfort you), highlighting his role as a source of solace and support.
Jorge Ben Jor keeps this one simple: a plea to stop crying, repeated until it sinks in. "Menina bonita não chora" ("Beautiful girl, don't cry") opens and closes almost every verse, less a lyric than a mantra riding a rolling samba groove. The comfort on offer is plain and direct — "Eu estou para aqui lhe consolar" ("I'm here to comfort you"), "O meu amor é forte" ("My love is strong") — with no story beyond the reassurance itself. By the outro the words give way to scat syllables, "lá lá lá", as if the song trusts the rhythm more than the words to finish the job.
Jorge Ben Jor (from Brazil) began his career in the 1960s, developing a unique sound that mixes samba, funk, and rock. His guitar playing is very distinctive, often featuring a percussive style that became a signature.
He is widely recognized for songs like "Mas Que Nada," which became a global hit, and "País Tropical." His album África Brasil is a strong example of his innovative blend of rhythms and sounds, and his music has been sampled by many artists.