่ชๅฐๅฐๅ refers to questioning someone in a way that steers them toward a particular answer, often like an interrogation designed to make them reveal something. It combines ่ชๅฐ (guidance or steering) with ๅฐๅ (interrogation), making it a memorable compound word.
In the song, the narrator says he feels as though he is being subjected to ่ชๅฐๅฐๅ, as people indirectly probe him about rumors and his supposed love story. The word captures his frustration at being manipulated into confirming gossip.
Janne Da Arc's "IMAGE Or...." is a singer fed up with people inventing his life for him. It opens on years of grinding, "้ใซ่ฟทใใชใใ" (while losing my way) and "็ ๆฐๆฎบใใๆฅใ " (days spent killing off sleepiness), and all he got for it was "ใใใใช่ชใใจ" (a little pride and) "ใใใใชใใฆใฏใต" (unbelievable rumors).
The chorus is where he loses patience. "ใทใฃใฌใซใชใใชใ ใใ็ฌใใชใ" (it's no joke, I can't laugh anymore). ใทใฃใฌใซใชใใชใ is a handy idiom: literally "it doesn't become a joke", meaning something has gone too far to be funny. He calls the whole thing "ใตใใใไผ่จใฒใผใ " (a ridiculous game of telephone), using ไผ่จใฒใผใ , the Japanese name for the party game where a whispered message gets garbled down the line. Then he quotes half a proverb, "ใ็ซใฎใชใๅ ดๆใซใฏใใใใ" (where there's no fire...), the Japanese version of "no smoke without fire", and turns it on the gossipers: past a point, the rumors are "ใใชใๆๅฎณใช็ ใฎๆงใซใใใใ" (like a pretty harmful smoke).
The second verse is aimed at fans who read his lyrics as diary entries. "ใใใชๅใงใใใพใซใฏ" (even someone like me, sometimes) "ๆใๅใไบใใใใใใ" (sings about love now and then), so "ใในใฆใ่ฉฉใจใชใณใฏใใใชใใง" (don't link everything to my lyrics). The funny, honest twist comes in the bridge: he admits "ใชใใไบๅฒใใใใฏใใใ" (somehow about half of it) "็ใๅฐใฆใใใใ" (hits the mark). ็ใๅฐใ means to hit the target, the same as "spot on" in English. He ends up feeling like he's being "่ชๅฐๅฐๅใใใฆใใฟใใ" (asked leading questions), a legal term for questions built to trap you into an answer.