Insensatez translates to "folly" or "foolishness." It's a less common, more formal word than simply saying something is "silly" or "stupid," giving it a unique and intriguing feel.
In the song, the singer admits to doing things he wouldn't normally do, like waking up after ten, "por insensatez" (out of foolishness). It highlights the irrational, yet endearing, actions one takes for love, making it a relatable and memorable word in the context of the lyrics.
Carolina Deslandes built this song around a joke on herself: the narrator does not actually like most of what happens in it. He is not into going out for dinner, writing letters, or talking about feelings, but none of that matters, because "a miúda gosta" (the girl likes it), so off he goes anyway. The verses stack up his discomforts one by one, admitting "E visto casacos que não vestiria" (I wear coats I wouldn't wear) and confessing on the dance floor, "Com dois pés esquerdos falho o compasso" (with two left feet, I miss the beat).
The song never claims he is good at any of this, or that he even enjoys it. The chorus keeps returning to one line, "Mas eu não descanso sem a ver feliz" (but I don't rest without seeing her happy), and by the end it is doing all the work, since everything around it is really just a list of small, awkward sacrifices. It is a love song built out of mild embarrassment instead of grand gestures, which is probably why it plays so well live: everyone in the room recognizes doing something they hate because somebody else loves it.
Carolina Deslandes (Portugal) first captured attention as a contestant on the Portuguese talent show Ídolos. Her strong vocals and authentic presence quickly made an impression on audiences.
Since then, she has built a career as a singer-songwriter, known for her heartfelt lyrics and powerful delivery. Songs like "A Vida Toda" and "Avião de Papel" are popular examples of her work, often exploring themes of love and life.