Antojo translates to "craving" or "whim". It's a vivid word that describes a strong, often sudden, desire for something specific, like a particular food or experience.
In the song, the lyric "Ya le quité el antojo" (I already took away her craving) suggests that the singer has satisfied a desire or longing of the person he's with. It's an engaging word that captures a moment of fulfillment and desire, making it memorable and interesting for learners.
This song is all about a secret, intense hookup. The whole vibe is about ditching the fancy stuff, like when he says, "no la lleve a Chanel" (I didn't take her to Chanel), and getting straight to the point. It's a very direct and physical connection, happening in the back of a car—"arriba del Merced" (on top of the Mercedes)—instead of waiting for a hotel. The relationship is clearly a secret, maybe even an affair. He tells her to "Contéstale a ese güey, dile que todo bien" (Answer that guy, tell him everything's fine) and to delete the evidence from their motel meetup.
What's really interesting is the contrast he sees in her. He calls her "el diablo hecho mujer" (the devil made woman) and a "Barbie, modelo porno" (Barbie, porn model), but in the same breath says, "aparte de todo tú eres niña bien" (on top of all that you're a good girl). It's this mix of a wild side and a 'good girl' image that drives him crazy. The song's title, "¿Qué Onda?" (What's up?), feels like a casual question that hides all this intensity, perfectly summing up what he calls "el amor de la calle" (street love).