Alabastrina refers to something made of or resembling alabaster, a translucent, often white, mineral. It's a beautiful and somewhat rare word, evoking images of purity, smoothness, and delicate beauty.
In "Orgullecida," the singer uses this word to describe herself, saying "Tal vez será que estoy alabastrina" (Perhaps it's that I am alabastrine). This suggests she perceives herself as having a refined, almost ethereal beauty, contributing to her sense of pride and divinity. It's a unique way to express self-admiration.
Get ready to feel fabulous with Buena Vista Social Club's "Orgullecida"! This song is all about embracing your inner diva and feeling absolutely amazing about yourself. The singer declares, "Orgullecida estoy de ser divina Y de tener tan linda perfección" [I am proud to be divine And to have such beautiful perfection]. It's a celebration of self-love and confidence, almost as if she's under a love spell, wondering if it's because she's "alabastrina" [alabaster-like] or if it's the "filtros reinos del amor" [filters, kingdoms of love] at play.
But it's not all just about her own perfection! There's a hint of romance too. She talks about the "celos del cariño De aquel volcán que llama tentadora" [jealousy of affection Of that volcano that calls temptingly]. It seems like someone special has captured her heart, and she believes, "Y tú podrás lograr que yo te quiera Porque tú has sido mi única ilusión" [And you will be able to make me love you Because you have been my only illusion]. It's a beautiful blend of self-assuredness and the hopeful, singular focus of new love. What a mood!
Buena Vista Social Club is a Cuban ensemble that brought the golden age of Havana's dance halls back to the world stage. The group formed in 1996 when producer Juan de Marcos González and American guitarist Ry Cooder gathered a dozen veteran musicians, many of them retired, to record the styles they had grown up playing: son, bolero, danzón and guajira. They took their name from a members-only club in Havana's Buenavista neighborhood, once a lively hub for music and dancing in the 1940s.
Among the standout voices were guitarist and singer Compay Segundo, the group's oldest member, pianist Rubén González, and singer-guitarist Eliades Ochoa. Their self-titled 1997 album became a global phenomenon, selling millions of copies, winning a Grammy Award, and introducing Cuban traditional music to a whole new generation of listeners. Most of the musicians were Cuban, carrying decades of experience playing in the clubs and orchestras of Havana and Santiago before the world rediscovered them.