Cicatrices translates to "scars." It's a poignant and evocative word that carries significant emotional weight, making it more impactful than common vocabulary.
In the song, Big Soto repeatedly expresses, "No quiero dejarte cicatrices" (I don't want to leave you scars). He uses this metaphor to convey his desire to end a relationship without causing lasting emotional pain or damage, highlighting a mature and empathetic perspective on heartbreak.
Big Soto and Suei build the whole song around one repeated line: "Espero que seas feliz" [I hope you're happy], answered every time by "Como sea, conmigo o sin mĂ" [either way, with me or without me]. It plays like a breakup handled with unusual care, the kind where nobody's really the villain. "Te suelto la mano y te dejo ir" [I'll let go of your hand and let you go] says exactly what it means, no metaphor needed.
Then, around the three-minute mark, the song turns into something else: a voicemail. "SĂ© que es muy tarde pa' llamar" [I know it's very late to call] opens a message that passes on hellos from his parents, promises "Prometo no molestar" [I promise not to bother you], and admits "Estoy en nuestro hogar pero sin ti" [I'm in our home but without you]. Different person, same wish: let them be okay, whatever that costs him to say out loud.
Gustavo Rafael Guerrero Soto, known professionally as Big Soto, is a pioneering Venezuelan rapper, singer, and songwriter born on October 19, 1996. Emerging from the urban music scene of Venezuela, Big Soto played a crucial role in introducing Latin trap to his country and has since become one of the genre's leading voices in Latin America.
Since beginning his musical journey in 2013, he has impressed fans with his dynamic blend of reggaeton, trap, and hip hop, releasing standout projects like Young Cream and The Good Trip. Signed to Rimas Entertainment, Big Soto continues to grow internationally, collaborating with artists across Latin music and captivating audiences with his authentic style and innovative sound.