Aqueduc translates to "aqueduct". It's an interesting and somewhat unexpected word to find in a song, especially one with a title like "La toxicomanie".
In the context of the song, which explores themes of addiction, the word "aqueduc" is used metaphorically. It could represent a conduit or a path, perhaps alluding to the way addiction flows through one's life, or even a system that delivers something, whether it be pleasure or destruction. Its unusual presence makes it memorable and thought-provoking.
Benjamin Biolay's "La Toxicomanie" is a really interesting, almost unsettling exploration of addiction. He personifies it in some wild ways, calling it a "tragic comedy" and even a "tragic obsession" [Quelle tragique manie]. It's not just a bad habit, but something with a strange power.
He uses vivid, almost surreal imagery to describe it. It's an "aqueduct," and then, quite bluntly, "the ass of girls" [le cul des filles]. It's also an "archduke" who challenges you with a vain slap. Then, in a darkly ironic twist, he calls it a "way of life" [une hygiène de vie] and says he prefers it at night. He describes its presence as "parma velvet or sienna earth" [du velours parme ou terre de sienne] on the asphalt, in the abdomen, or, most profoundly, "in the soul" [dans l'âme]. It’s a short, sharp, and quite dark look at how addiction can permeate every part of existence, right down to the human soul.